Charm emits exuberantly from Mary Ann Shaffer’s debut, and sadly only, novel: The Guernsey Literary and Potato Peel Pie Society, and so it is with Mike Newell’s new film adaptation, in which Lily James plays a writer who falls for a community who survived Nazi occupation via their passion for stories.
Following Hugo, Wonderstruck is the second Brian Selznick book to find a home on the big screen. It’s every bit as ambitious as the Scorsese adaptation and equally beautiful, you just wish it were as coherent and less contrived.
Quiet, quiet, quiet, BANG is so tiresome a cliché of horror that even when directors handle it well they are derided for crafting a cheap effect. But what if the BANG wasn’t so predictable? And what if you were utterly invested in the need for quiet?