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Anon | Review


Key to achieving anonymity is the ability to appear so bland that the eyes of the world simply don’t notice you. Andrew Niccol’s new film, though well executed. is rather too successful in that regard.

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Deadpool 2 | Review


‘From the studio that killed Wolverine’ reads the tag on one of Deadpool 2’s innumerable posters. It’s the one with Wade ‘Deadpool’ Wilson lounging astride a swan, tickling the sea, ahead of a big old explosion. This sequel may follow Infinity War in 2018’s superhero release schedule but it’s a very different, in some ways welcome, beast.

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Could *THIS* be the next Greatest Showman?

Talk to the wrong people and they’ll tell you that La La Land saved the musical, reviving the genre from the distant past. Like we said, wrong.

However, with Beauty and the Beast taking $1bn at the international box office and The Greatest Showman newly out on DVD – whilst STILL in cinemas – it’s undeniable that musicals are very much in vogue at the moment.

With film studios clamouring to find the next hit sing-a-long, we’ve rounded up five musicals heading your way before the year’s out. Could one of them be the next Greatest Showman

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The Cured | Review


Those familiar with Dominic Mitchell’s BBC TV series In the Flesh may encounter a touch of déjà vu while watching The Cured. It’s more than just the matching premise – cured ‘zombies’ being reintegrated into a society unwilling to forget their mindless misdoings – it’s in the kitchen sink quality, the politics, the gloomy tone and saturated aesthetic. There’s even overlap in homoerotic subtexts. A first feature by writer-director David Freyne, The Cured has a broader scope but mixed results by virtue of it.

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Mary and the Witch’s Flower | Review


Hard that it is to quite keep up with the retirements and renewals of Studio Ghibli, the day of a new Japanese animation studio has dawned. Literally so, for Studio Ponoc takes its name from a Serbo-Croatian word referring to the beginning of a new day. There is, however, a great deal that is familiar about their visually gorgeous debut feature: Mary and the Witch’s Flower.

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