All posts by thefilm.blog

Emma. | Review

★★★★

Handsome, clever and rich that she is, you’re not really meant to like Emma. Jane Austen did, naturally; but her vain, spoilt heroine was always supposed to vex readers. To this end, no film nor televisual take on the novel has ever truly hit the nail on its heroine’s handsome head. Gwyneth Paltrow proved far too endearing in Douglas McGrath’s 1996 adaptation, whilst even Kate Beckinsale’s humbling just missed being worthy of it. Enter Anya Taylor-Joy and a splendidly smug showcase for the ages. Directed with verve by Autumn de Wilde – the titular full stop is intentional and referential solely to the film’s ‘period’ setting – Taylor-Joy’s Emma meddles in affairs of the heart as though to do so is her right by birth. What marvellous casting. Such fun.

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1917 | Review

★★★★★

There isn’t a layer of emotional resonance within which Sam Mendes’ latest feature does not excel. A First World War thriller, boasting the dramatic surety Mendes nailed in Skyfall and all but lost in Spectre, 1917 quickly takes hostage of the heart and refuses release. It is electric, devastating and charged with a profound sense for the absolute horror of warfare. That the story comes from the original experience of Mendes’ own grandfather on the Western Front is paramount. This one matters to him sincerely.

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The Gentlemen | Review

★★★

There may be a new sense of Hollywood swish and flick glamour to Guy Ritchie’s latest film but – make no mistake about it – The Gentlemen is a step to the reverse from the director of Lock, Stock and Two Smoking Barrels. Forget Aladdin, this is cockney ensemble crime caper comedy through and through. Everyone has a riot, there’s language to make a sailor blush and marijuana at every turn. Not that our heroes touch the stuff. It’s all about the dosh with this gang of upmarket renegades and each one stands to make shed loads. As per his debutant days, Ritchie writes, shoots and produces to the lowest common denominator. Devotees will lap it up, while cynics wheel out that old sub-par Tarantino jibe. In the middle is a view that The Gentlemen is smutty fun, a tad offensive and undeniably fine tuned.

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