There’s a voice in Late Night so sharp it could cut itself, and a core cast so winning you’ll forgive the softie plotting that blunts it. This is the Nisha Ganatra directed new comedy by writer, producer and star Mindy Kaling, who plays the ‘token woman of colour’ brought in to save Emma Thompson’s erstwhile pioneering late night talk show host, Katherine Newbury, from absolute televisual collapse. Gloriously astute to the self-pitying moral crisis of the white wing in a diversifying world, the film lands its fair share of laugh out loud moments before dawn.
Pond Life is the near perfect feature debut from director Bill Buckhurst. A delightful time capsule of epochal folk transience, the film benefits from an unusually assured young cast, smart aesthetics and a remarkable script by Richard Cameron, adapting his own play. It’s all wonderfully naturalistic – poetically so, not without irony – and boasts a tremendous feeling for locality. Esme Creed-Miles, meanwhile, will blow you away as gentle, tragic Pogo.
Get past the been there done that feeling that pervades Guy Ritchie’s touched up but essentially familiar remake of Disney’s animated Aladdin and you may well see the diamond for the rough. Whilst fault lines are striking, smart updates do well to justify the extended runtime. With a budget more dazzling than the cave of wonders itself, Ritchie’s production is shining, shimmering, splendid and sure to put a smile on willing faces.
The Film Blog 