★★★★
Imagine Lady Bird had been shot in the documentarian vogue of Larry Clark’s Kids and was even less concerned with actual plotting. That’s mid90s, loosely speaking, the directorial debut of Wolf of Wall Street star Jonah Hill. With its genuinely joyful era specific soundtrack, Super 16 grain, Academy ratio and abundance of contemporary props, this is gentle nostalgia and transience in one. Very little happens but it does so with a winning ear for naturalism.
★★★★
Fans of Walt Disney’s animated original Dumbo have already seen an elephant fly, back in 1941. What more can a modern update bring to the big top? In the hands of Tim Burton – back on enchanting form after a duo of duds – the answer is a well considered story expansion and consistently gorgeous visuals. Disney’s digital Dumbo is every bit as adorable as one could hope and twice as empathetic. With the whole film apparently occurring either at dawn or dusk, this is hardly remarkable stuff but gosh it’s nice.
You know John Henshaw. Personally and professionally, as it goes. Personally, albeit metaphorically, he’s that nice fella down the road. Professionally – which is to say, in any one of his many screen appearances – he plays the chap you wish lived down the road.
Continue reading ‘I’m not built for running up and down chasing sheep!’ | John Henshaw Interview
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