★★★★
‘In your world I have another name and you must know me by it’ said Liam Neeson in Narna. His was a voice of gravitas there and continues to be so in J. A. Bayona’s A Monster Calls. If Neeson’s Aslan was C. S. Lewis’ creator in another land, his Monster is Bayona’s death in our own.
★★
Will Smith is a gift for any film’s marketing team. Send him out to do the rounds and this is a man who’s charisma could genuinely sell ice to Eskimos. He even almost – almost – manages to sell Collateral Beauty. Smith plays Howard, a high-flying creative businessman whose grief at the death of his daughter has broken his marriage and now threatens his company. Kate Winslet, Edward Norton and Michael Peña are his collateral friends/colleagues who dubiously decide to interfere by hiring a trio of actors to portray Death (Helen Mirren), Time (Jacob Latimore) and Love (Keira Knightly) in a bid to turn his life around or – better still – prove that he’s lost his marbles and thereby cut him out. If Passengers hadn’t already claimed the prize, Collateral Beauty would have walked away with the award for most disturbing-yet-supposedly-friendly plot of the year. Oh, 2016.
★★
Let’s not beat around the bush here – something Morten Tyldum could do with taking note of – Passengers is a real let down. One-part Jennifer Lawrence, four-parts bland, clichéd, pedestrian disappointment. It’s genuinely gutting.
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