“Generally, people either love Tonya or..not big fans.’ So says Julianne Nicholson’s Diane Rawlinson early in I, Tonya: ‘Just like people love America or are not big fans.’ A brilliantly pitched understatement, the line offers bitingly funny insight of the sort the film lacks as a whole.
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There are moments throughout Coco, Pixar’s latest so-called return to form, in which the quality of animation is so extraordinarily well crafted that one would be forgiven for mistaking the format for stop-motion puppetry, not merely CGI. They’ve done it again. Somehow, Pixar have raised the bar.
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Expect the unexpected as Irish filmmaker Martin McDonagh takes his pitch black brand of dramedy to the west side of the Atlantic. Three Billboards Outside Ebbing Missouri is funny and affirming, traumatic, shocking and unfailingly absorbing. At its heart is a phenomenal turn by Francis McDormand.
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