We were ready to move on. ‘That’s it for Oscar coverage for another year,’ we said. But we can’t stop thinking about THAT moment. We’ve mulled it over and tried to let it go but we just can’t. Yep, we need to talk about why that Oscars cinema-crash sketch was SO not okay.
Love, Simon is a thoroughly likeable, if enormously twee, coming out and of age film that will resonate deeply with outsiders of all walks, genders, races and faiths of life.
On Sunday 4 March, the production crews of nine critically-acclaimed films will find out which of them has bagged cinema’s most prestigious prize: the Academy Award for Best Picture. Ahead of our full Oscar predictions for 2018, here’s our guide to the runners and riders of this year’s race…
Want to know what’s coming to a cinema near you this March? Look no further…
The year is 2002 and the titular character of Lady Bird is a senior year student at a Catholic high school in the suburbs of Sacramento. Thus far, the character is a mirror of Greta Gerwig, for whom the film marks a directorial debut. Though not autobiographical – the director/persona relationship is more spiritual here – it is the personal touch of a life lived that allows Gerwig’s film to shine. Lady Bird is tender, stark and unfailingly honest.
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If ever a film could be said to woo it’s The Shape of Water, Guillermo del Toro’s enchanting, daring, beautiful and breathtaking tale of aquatic love. Delightfully scored and gorgeously designed, this is a package of perfect cinematic harmony and a masterpiece in which no emotion is left unscathed.