I believe myself to be enchanted. I have certainly experienced cinema at its most effortlessly magical…
Dame Judi Dench is all set to reprise her iconic role, here are the facts…
Spoilers may follow.
If Atomic Blonde achieves anything it is that the film, from stunt coordinator-turned-director David Leitch, thoroughly cements Charlize Theron’s status as one of the premiere action stars in cinema today. Fresh from The Fate and the Furious, having dominated too Mad Max: Fury Road, Theron owns the film from stilettoed start to erudite end. An excuse for a cornucopia of action set pieces, Atomic Blonde offers fun aplenty along the ride, even if as a whole the complete picture never quite satiates the appetite wishing for just a bit more oomph to its plot.
Pixar Animation Studios, a subsidiary of Walt Disney Animation Studios that almost always with each film they make, deliver to its audience some delights, whilst also on more than a few occasions, will have them wiping away tears. Over the years the studio has forged a reputation as one of the best in the business at making animated movies that are a delight for both kids and adults to enjoy. And very few films hit these notes, as beautifully, and as thought provokingly as Inside Out.
The film tells the story of Riley, and the five little emotions that work away all day controlling her actions, thoughts and unsurprisingly her emotions. These emotions find themselves in turmoil when Riley and her folks are forced to move from Minnesota to San Francisco. The adverse effect this has on Riley, and consequently her emotions, makes for some entertaining dialogue and a really enjoyable film to watch. Above all, this is what makes this movie, extremely heartfelt, and quite simply a work of utter genius.
As human beings, we all experience emotions at various points in our lives. Whether we lose someone we love, get a job, get married, start our own families etc., these emotions are what make us human. We as humans have our good times, and the not-so-good moments. And though we do have more than just 5 solitary emotions, to have had more than 5 would have just felt like overkill. Perhaps a sequel one day will develop this further and utilise other emotions?
Anyway, for sure there are some moments in the film in which some of the characters, experience some heart-breaking realisations, two characters in particular. The voice work from everyone is tremendous but the five emotions especially Joy (Amy Poehler) and Sadness (Phyllis Smith) steal the show, but the others like Fear (Bill Hader), Disgust(Mindy Kaling), and last but not least Anger (Lewis Black) all have their moments to shine, and make you laugh.
The film is above all a realisation that in those moments in life where we’re down in the dumps and need someone to talk to, and no matter who you are, we have all had these moments. These messages will resonate with all who watch this movie. As no matter who we are, we’ve all had those times where we have been down in the dumps, and we just had to let the emotions out, and this film reminds you that sometimes that’s okay, because that’s part of being human.
This is what makes Inside Out above all a feel good film, though the film does have moments that feels like it’s ripping your heart right out of your chest. It’s well balanced by some truly brilliant humour, as well as the usual abundance of jokes that are aimed at the adults that will sail over the heads of the younger viewers. There’s a fun adventure to be had, that the kids will enjoy watching, but there’s so much more to this film than that.
I believe that Inside Out is one of those rare movies of the animated variety that are really aimed at the adults. It has themes and messages that will resonate more with the adults than with children, especially for any adults who have had children. You may laugh, and you will almost certainly cry, but that’s life in a nutshell, and once the credits begin to roll, you will find it hard not to have a massive smile on your face, not least because the credits themselves are ridiculously entertaining!
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causing a feeling of happiness and well-being
It is fair to say that the definition above is the perfect description of what I feel when I watch John Hughes’ classic coming-of-age comedy Ferris Bueller’s Day Off. From the relatable characters, to the insanely-quotable lines, to the great advice, to the beautiful Chicago setting, this 1986 cult flick deserves a spot on my favourite films of all-time list.
Everyone needs a film that boosts their mood, or helps them go to sleep happy. Or, even just something that you can watch without having to concentrate. Cool Runnings is that film for me.
Cool Runnings starts by introducing us to our main characters almost immediately. We instantly learn what is important to them, whether that be running, pushcart racing, or more generally, their country. The light-hearted comedy is present right from the start. Derice, a motivated young Jamaican makes fun of his friend Sanka, and Sanka replies with a witty one liner. We are then introduced to our other main characters Yul and Junior and the comedy and character development continues when we are shown what kind of relationship these two will have through the film.
The story – to keep it simple, develops quickly when Derice after failing to make it to the Olympics wants to find another route to success, so he can fulfil his dream of becoming an athlete.
Although Sanka is mortified by the thought of being near that much ice, he is loyal to his friend and instantly joins him on his hunt for a coach, and team members. They contact gold medallist Irving Blitzer and nag him, and push him to his limit until he finally agrees to help them out. They gather more people for their team and enough money to get them to Calgary. Yul and Junior join them, and off to Canada they go ready to compete.
For such a simple story on paper, it must be emphasised that this film is so much more than just a story about some athletes that did fine. Messages about more than just aspiration and determination flood this film, and being set in the 80s, race is still a big issue here. Yet this is not something thrown in our faces throughout this film. Even through the comedy there are clear moments where the creators of this film wanted to portray the idea that anything can be done, if you are willing to commit.
The cast in this film fit the characters that are being displayed consistently. Sense of humour, of course, is bound to differ from viewer to viewer. The characters, though, have obviously been thought out enough so that it isn’t just sappy, standard ‘U’ rated film level of comedy. There is a character for every person to relate to, or a reaction to amuse everyone.
Admittedly, this isn’t a film that is a cinematic masterpiece, the way it was shot wasn’t exactly thought out extensively, the script isn’t phenomenal, it is a simple film, but it just suits what it is. I don’t think anything more could be added, or anything taken away. The score sets the tone for the film as soon as you press play. The colours used in the opening credits just fill me with joy, the pacing of the film is spot on because it doesn’t drag yet we know enough about, and understand enough about the characters for it to hit the spot.
It all just fits. Cool Runnings is my comfort film, it makes me feel better when I’m sad, or sick. It’s fun to just have on if there’s nothing good on TV. It’s a classic that just makes you feel great, and should be watched by anyone that hasn’t, and likes easy-to-watch films… or just really likes bobsleds.
It deserves the hype it has always gotten, and will hopefully continue to get.
As per, nice one Disney.
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I was recently asked to write a review of a movie that I believe is a “Feel good” film for thefilm.blog and I must say, it wasn’t an easy task picking just one film to discuss.
After considering and discarding so many options, I finally settled on the movie Mr. Holland’s Opus (1995), which is among my favorite movies and IMHO is the best film of 1995.
The film is an emotional roller-coaster because it is able to make us hit so many emotional notes along the way.
The idea to make a fictional “biography” of a musician turned teacher as his life proceeds from the mid-1960’s until the mid-1990’s is a great one because who among us hasn’t been affected in one way or another by an inspirational teacher.
This time, we get to see the whole thing from a teacher’s perspective which is quite a clever way to tell this kind of story because the material is extremely relateable to just about everyone yet we all are familiar with seeing it from the pupil’s side and not the teacher’s.
I originally saw this film when it came out in 1995 and I was only 21 at the time, so over the years since, I have come to appreciate the perspective of the teacher much more since the main character must deal with students but also the ever changing world around him; both within his own home and outside of it.
Richard Dreyfuss is a great choice to play the lead character of Glenn Holland and is near perfect in each of the various stages of life depicted here.
He deserving was nominated for an Oscar for Best Actor for this role but somehow lost to Nicholas Cage in Leaving Las Vegas (1995). [I’m still baffled even after 22 years that Cage beat not only Dreyfuss but also Anthony Hopkins in Nixon (1995), Sean Penn in Dead Man Walking (1995) and Massimo Troisi for Il Postino (1994) since any of the others would have been a better choice.]
IMHO, this is one of the best fictional “biographies” ever filmed because they take their time in each of the various “stations” to help us understand the character and even more importantly, the affect he has on everyone around him during that particular part of the story.
None of these vignettes feel drawn out or cut short and they give us just enough time in each of them to learn something new about his life.
I must admit tho, that they could have added a little bit more information in some of them to give us an even more complete vision of that particular chapter in his life and it only would have benefited more with a bit more detail.
Besides Dreyfuss, the rest of the cast is superbly chosen and help us feel even more about everything that is happening.
Glenne Headly, Olympia Dukakis, Jay Thomas, William H. Macy, Alicia Witt, Terrance Howard, Jean Louisa Kelly and Balthazar Getty are all wonderful in their respective parts without fear that they would steal any of the spotlight from Dreyfuss’ lead.
The soundtrack is amazing and is filled with some of the best songs from the 60’s. 70’s, 80’s and even the 90’s which helps keep things in their perspective time frame.
Composer Michael Kamen accentuates it all with his score which speaks so much about what one can accumulate and accomplish during a lifetime.
The ending and the concert scene are both equally emotional and I always cry tears of joy and happiness whenever I watch both of them.
All in all, this is a film that always gives me so much hope because like a large jigsaw puzzle, sometimes in life, we only see each piece on their own, but once we have the opportunity to view all of the pieces put together, we can easily see how astounding an accomplishment it has been to work on it no matter how many frustrating moments we have endured or needed to overcome along the way.