‘Each McDonald’s burger has two pickles, a pinch of onions and a precise shot of ketchup and mustard’. It’s consistency and uniformity that define the fast food industry, you always know what you’re going to get for your money. Taking a similar ethos and methodology as its driving force, The Founder, latest from the Weinstein Company, runs with a conventional plot adding to its consistency a smattering more flavour than you might expect.
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In political boundaries, legacy is everything. As Donald Trump quite assiduously begins to dismantle that of Barack Obama in America, it’s a timely film that examines how it can be that those left behind may make or break the legend. This is the mantle taken by Chilean director Pablo Larraín in his first English-language film.
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Entering T2:Trainspotting, the twenty-years later sequel to Danny Boyle’s Trainspotting, a quote from the latter comes to mind. Not the ‘choose life’ one – which, anyone who’s seen the trailer will already know, gets an updated reprise in T2 (‘choose Facebook’). No, it was Diane’s ‘You’re not getting any younger’ speech: ‘The world’s changing; music’s changing; even drugs are changing…you’ve got to find something new’. Back in 1996 Trainspotting was newness epitomised. Is it unfair to want the same of the follow up? How can a sequel ever be as original as, well…the original?
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