Ahead of tomorrow’s Academy Awards, we present our predictions for the main categories.
Let us know your predictions in the comments!
Let us know your predictions in the comments!
Moonlight is a bold move by Medicine for Melancholy director, Barry Jenkins. Adopting an unrealised, semi-autobiographical, 2003 drama project by Tarell Alvin McCraney – In Moonlight Black Boys Look Blue – as his inspiration, Jenkins’ film is a rejection of the hard line, socio-realist aesthetic, synonymous with depictions usually granted to similarly located films. Bringing to the production his own experiences as a child in Miami, Moonlight sees its director take the sun-kissed cinematography of Fernando Meirelles and Kátia Lund’s City of God, and infuse the picture with a beautifully Rococo, pastel palette. The effect jars perfectly. Grit and grime are painted in pinks, blues and greens which serve to express the visceral tension underlying this society within ‘the sunshine state’. The title is apt; what setting could better connote the fine line of romance and danger than one against moonlight?
Thank you very much to The Cinematic Explorer for the Nomination! Bit of fun so here goes!
The Mystery Blogger Award was created by the wonderful Okoto Enigma, who I’m sure we can all agree can describe the award better in her own words, than I ever could, so without further ado:
“The “Mystery Blogger Award” is an award for amazing bloggers with ingenious posts. Their blog not only captivates; it inspires and motivates. They are one of the best out there, and they deserve every recognition they get. This award is also for bloggers who find fun and inspiration in blogging; and they do it with so much love and passion”.
Put the award logo/image on your blog
List the rules.
Thank whoever nominated you and provide a link to their blog.
Mention the creator of the award and provide a link as well
Tell your readers 3 things about yourself
You have to nominate 10 – 20 people
Notify your nominees by commenting on their blog
Ask your nominees any 5 questions of your choice; with one weird or funny question
Share a link to your best post(s)
Three Things About Me:
Who’s your all time favourite actor?
Until I started writing this answer I would’ve have no idea, but, having started typing, it’s occurred to me that of course my favourite actor is James Stewart! Rear Window, It’s a Wonderful Life, Vertigo…Stewart was the Tom Hanks of his day – ever reliable and always watchable! No wonder that he was named in the AFI’s top three Hollywood screen legends!
What’s your favourite type of film genre?
Cop out of an answer but I love films that mix genres and defy expectations in doing so. Take Elle, a recent example. Elle sits in a very slippery position in terms of its genre – part psychological rape-revenge thriller, part brilliantly funny satire. It’s a disturbing and uncomfortable watch but breathtakingly unpredictable!
Who’s your favourite Director and what’s their best film to date?
Classically, I’d probably have to say Hitchcock. In terms of working actors today however, it’s a hard pick between Martin Scorsese – Mean Streets for me! – and Alejandro González Iñárritu – until last year his best was Birdman for me, then he made The Revenant! The man’s a genius.
If you could see any film early (before its release date) this year, what would it be?
Beauty and the Beast, with Blade Runner 2049 a close second. My adoration for the original films of both these two is so inordinately high that I feel a strange sense of personal investment. I just don’t want to be disappointed, is that so much to ask?
Pirates or Wizards?
Wizards, no question. Easy. Come on: Gandalf, Dumbledore, Merlin…! I’m a Harry Potter fan through and through; Pirates of the Caribbean has been through some rocky waters of late, but Fantastic Beasts proved that the magicians’ have still got this in the bag.
They’re all marvellous so do give them a look! I’d be fascinated to hear their answers to the following questions…
As for my favourite post? I’m particularly fond of the Silence review I did.
Three hundred years on from Silence and Andrew Garfield is still being persecuted for his religious beliefs. He is even still wrestling with his conscience and contemplating his relationship with God: ‘I pray to God and I like to think he hears me, it ain’t a conversation’. Indeed, one scene sees the army send in his fiancé, channelling Liam Neeson, to convince him to give in: ‘It’s pride and stubbornness – don’t confuse your will with the Lord’s’. No, this isn’t Silence 2: Still No Word from the Man Upstairs, this is Mel Gibson’s Hacksaw Ridge.
Don’t deny it! When Warner Bros. green lit The Lego Movie back in 2011 you sneered. It may have been only the slightest sneer, the twitch of an eyebrow say, but your first thought was: ‘seriously?!’ Yes, on paper it sounded like the most horrendously capitalist commercialised marketing vehicle since Pixar announced Cars 3 and E.T. turned out to be a massive fan of Reece’s Pieces. They even went and announced a relatively little known TV sitcom star as the lead. Hardly wattage… But you were wrong. Nay, we were wrong. Back in 2014 The Lego Movie was glorious. It was…well, awesome! And that ‘little known TV sitcom star’? Only one of today’s biggest blockbusters in the business, Chris Pratt! Mind, any fan of Parks and Recreation could’ve sung his praises years ago.
‘Each McDonald’s burger has two pickles, a pinch of onions and a precise shot of ketchup and mustard’. It’s consistency and uniformity that define the fast food industry, you always know what you’re going to get for your money. Taking a similar ethos and methodology as its driving force, The Founder, latest from the Weinstein Company, runs with a conventional plot adding to its consistency a smattering more flavour than you might expect.
In political boundaries, legacy is everything. As Donald Trump quite assiduously begins to dismantle that of Barack Obama in America, it’s a timely film that examines how it can be that those left behind may make or break the legend. This is the mantle taken by Chilean director Pablo Larraín in his first English-language film.
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