Tag Archives: Netflix

Where to find your favourite Christmas films online this December…

We’ve all got our favourites. You know the ones, those Christmas films that come out once a year to warm our hearts on cold winter nights. With many of these available to watch on Netflix, Amazon Prime and Sky Go with subscriptions, we’ve rounded up the best of the best.

Continue reading Where to find your favourite Christmas films online this December…

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The Christmas Chronicles | Review

★★

There’s no denying Kurt Russell’s credentials as cinema’s coolest Santa. Whereas Richard Attenborough gave the legend a twinkle and Tim Allen made him an everyman, Russell offers a wry, Elvis impersonating twist. It’s a bummer, then, that the film around him is so bloomin’ lame.

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Outlaw King | Review

★★★★

True Scotsman and genre maestro David Mackenzie was always going to produce a more measured take on the historic Scottish fight for independence than Mel ‘Braveheart’ Gibson. It comes as no surprise then that Mackenzie’s tale of love and war is as stark as it is occasionally syrupy and much more politically dense than Gibson’s Oscar-winning epic.

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The Cloverfield Paradox | Review

★★

In another dimension, there is a phenomenal alternate version of Julius Onah’s The Cloverfield Paradox. It’s a parallel universe in which a paired down iteration of Oren Uziel’s script grants its gift of a cast one concept to run with and they take it into hyperspace. Unfortunately, time and space have fractured and that film has collided with a dozen others to produce a more unwieldy monster. Continue reading The Cloverfield Paradox | Review

The Foreigner | Review

★★

For about seven minutes – certainly no more than ten – The Foreigner has something going for it. There’s the promise of a seriously stirring turn from Jackie Chan and the reunion of Pierce Brosnan with his GoldenEye director Martin Campbell. Perhaps that’s why the misjudged so-called thriller which follows proves quite so insulting?

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Mudbound | Review

★★★★

A grim resolve opens Dee Rees’ Mudbound. Gloomy skies pry above and a grave is dug below. ‘We’re not going to make it’ says a man to his brother, ‘We will. We have to’ comes the reply. By the time the pair discover a long-buried slave’s skeleton, a tone has been set and a direction established. What follows is something of a spiritual sequel to Steve McQueen’s 12 Years a Slave, bolstered by terrific performance and a solemn morale which hits hard.

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