Handsome, clever and rich that she is, you’re not really meant to like Emma. Jane Austen did, naturally; but her vain, spoilt heroine was always supposed to vex readers. To this end, no film nor televisual take on the novel has ever truly hit the nail on its heroine’s handsome head. Gwyneth Paltrow proved far too endearing in Douglas McGrath’s 1996 adaptation, whilst even Kate Beckinsale’s humbling just missed being worthy of it. Enter Anya Taylor-Joy and a splendidly smug showcase for the ages. Directed with verve by Autumn de Wilde – the titular full stop is intentional and referential solely to the film’s ‘period’ setting – Taylor-Joy’s Emma meddles in affairs of the heart as though to do so is her right by birth. What marvellous casting. Such fun.