The apple doesn’t fall far from the tree as Hallie Meyers-Shyer, daughter of rom-com doyenne Nancy Meyers (the maker of The Holiday and What Women Want) makes her screenwriting and directorial debut. Meyers senior’s confined to producing duties for Home Again but that doesn’t stop this all from feeling exactly as familiarly saccharine as you’d expect from her own populist oeuvre.
With a barnstorming turn from Robert Pattinson, grimy design, and synth-y aural-aesthetic as the film’s selling points, a soundtrack from Oneohtrix Point Never is not the only electric element of the Safdie brothers’ Good Time. This is genre cinema that puts a beating heart at the centre of its twisty, metropolitan plot, before repeatedly ripping it out to jaw-dropping effect. Fantastic.
‘Choose kind’ might sound like the awkward cousin of everyone’s favourite Trainspotting quote but it is, in fact, the fundamental precept of R. J. Palacio’s bestselling book – and now Stephen Chbosky’s film adaptation – Wonder. Cinema’s answer to positive-affirmation woodblocks (‘You can’t blend in when you were born to stand out’), the new film might not live up to the promise of its name and premise but no one could ever deny that its heart is in absolutely the right place.