★★★★
It’s raining, kiddiwinks are singing and expectation is sky high; you could say floating. So far so typical in this second screen adaptation of Stephen King’s classic horror It.
★★★★
It’s raining, kiddiwinks are singing and expectation is sky high; you could say floating. So far so typical in this second screen adaptation of Stephen King’s classic horror It.
★★★★
It’s a bleak, cold and accessibly poetic prologue that opens Wind River. A girl is sprinting and staggering for her life across an arctic terrain, with little chance of survival, as verse is dispelled in musical narration. Here is a plot so evil that it is clear screenwriter-director Taylor Sheridan’s Hell in High Water has frozen over.
★★★
For filmmakers, an attempt at retiring must echo the plot of His Girl Friday. Try as they might, directors simply can’t escape the attraction of getting behind the camera. First returned Hayao Miyazaki and now Steven Soderbergh is back with Logan Lucky, a fun but bizarrely ill-conceived heist caper from (questionably-real) first-time writer Rebecca Blunt.