It wasn’t so long ago that lame, computer-animated family films had the decency to announce themselves by looking every bit as cheap as their committee-written scripts. This is no longer so. Not content with squandering its A-list cast, Monster Family manages to waste too the talents of a superb animation team, asking them to bring life to a graveyard mash-up of other (better) films.
Love, Simon is a thoroughly likeable, if enormously twee, coming out and of age film that will resonate deeply with outsiders of all walks, genders, races and faiths of life.
In a third floor office somewhere in L.A. there’s a stack of formula comedy scripts, each one bearing a half-baked title and a handwritten note asking: is Jason Bateman free? From the top of the pile, Game Night is a surprisingly stylish addition to the star’s very marketable oeuvre. If it isn’t the full ticket, the film deserves credit for its experimental bon vive.