Tag Archives: Oscars

Moonlight | Review

★★★★★

Moonlight is a bold move by Medicine for Melancholy director, Barry Jenkins. Adopting an unrealised, semi-autobiographical, 2003 drama project by Tarell Alvin McCraney – In Moonlight Black Boys Look Blue – as his inspiration, Jenkins’ film is a rejection of the hard line, socio-realist aesthetic, synonymous with depictions usually granted to similarly located films. Bringing to the production his own experiences as a child in Miami, Moonlight sees its director take the sun-kissed cinematography of Fernando Meirelles and Kátia Lund’s City of God, and infuse the picture with a beautifully Rococo, pastel palette. The effect jars perfectly. Grit and grime are painted in pinks, blues and greens which serve to express the visceral tension underlying this society within ‘the sunshine state’. The title is apt; what setting could better connote the fine line of romance and danger than one against moonlight?

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Hacksaw Ridge | Review

★★★

Three hundred years on from Silence and Andrew Garfield is still being persecuted for his religious beliefs. He is even still wrestling with his conscience and contemplating his relationship with God: ‘I pray to God and I like to think he hears me, it ain’t a conversation’. Indeed, one scene sees the army send in his fiancé, channelling Liam Neeson, to convince him to give in: ‘It’s pride and stubbornness – don’t confuse your will with the Lord’s’. No, this isn’t Silence 2: Still No Word from the Man Upstairs, this is Mel Gibson’s Hacksaw Ridge.

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