There is nothing sane about the existence and popularity of the Fifty Shades franchise. What’s weirder still is that it’s a trilogy that genuinely isn’t totally irredeemable. In Fifty Shades Freed the story ‘climaxes’ with a meta-twist: what was originally Twilight fan-fiction has become Fifty Shades fan-fiction. Bizarre.
Tempting that it is to make unfavourable comparisons between Enrique Gato’s latest feature and Pixar’s recent Coco, it’s worth noting that the former has been achieved on pittance of the latter’s budget ($6m to $200m) and, despite many weaknesses, you can’t fault the ambition.
In another dimension, there is a phenomenal alternate version of Julius Onah’s The Cloverfield Paradox. It’s a parallel universe in which a paired down iteration of Oren Uziel’s script grants its gift of a cast one concept to run with and they take it into hyperspace. Unfortunately, time and space have fractured and that film has collided with a dozen others to produce a more unwieldy monster. Continue reading The Cloverfield Paradox | Review→