Entering T2:Trainspotting, the twenty-years later sequel to Danny Boyle’s Trainspotting, a quote from the latter comes to mind. Not the ‘choose life’ one – which, anyone who’s seen the trailer will already know, gets an updated reprise in T2 (‘choose Facebook’). No, it was Diane’s ‘You’re not getting any younger’ speech: ‘The world’s changing; music’s changing; even drugs are changing…you’ve got to find something new’. Back in 1996 Trainspotting was newness epitomised. Is it unfair to want the same of the follow up? How can a sequel ever be as original as, well…the original?
Continue reading T2: Trainspotting | Review
You could never accuse Martin Scorsese of lacking in diversity when it comes to his body of work. Silence, Scorsese’s latest to hit the screens, follows a fowl-mouthed Wolf of Wall Street which was itself preceded by the charming (and, unusually, child-friendly) Hugo. In a way, however, Silence predates both having been first conceived back in the nineties – not long after Scorsese concluded work on his Last Temptation of Christ, a film of kindred spirit to its later successor. Silence battled much in its pilgrimage to production – appropriately surviving its own ‘hell’, albeit a development one – and must be termed another passion project of willpower for Scorsese. It’s not hard to see why. Adapted from the book of the same name by Shūsaku Endō, Silence tackles themes potent amid Scorsese’s oeuvre. Guilt, faith, Catholicism…all present and correct. I have niggles but wouldn’t hesitate to call the effort worth it.
Continue reading Silence | Review
Ah, Hollywood! The magic, the romance, the city of angels: Los Angeles. Secretly we all know that Hollywood’s not a real place. Hollywood’s a dream and creative ideal combined and it’s a world captured picture-perfectly by Damien Chazelle’s first work since his Oscar-winning Whiplash from 2014. La La Land tells the tale of aspiring starlet Mia (Emma Stone) and jazz wannabe Sebastian (Ryan Gosling) in an all singing, all dancing tribute to those cockle-warming classics of the mid-twentieth century.
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2016, sorry to break this to you pal but you’ve not been the best year. Politics, international relations, conflicts and all those celebrity deaths? You’ve got to admit that you’ve dropped the ball a bit.
On the other hand…I suppose you have given us a pretty solid year on the film front. I mean: The Revenant, Spotlight and Room all in one month?! We were spoilt! You’ve been pretty on form with the animations this year: Finding Dory, Moana, Kubo and the Two Strings, Zootropolis – perhaps best not to mention Sausage Party. Your blockbusters were a bit more hit and miss: Captain America was a corker and The Jungle Book was stunning – bravo. Then you gave us Suicide Squad. Seriously 2016? D- for that one, must try harder.
Continue reading Goodbye 2016, Hello 2017
Way back, in the wake of directing 2009’s Princess and the Frog, Ron Clements and John Musker were lining up an adaptation of Terry Prachett’s Mort as their next enterprise. Prachett feels an unusual inspiration to add to the Magic Kingdom but an interesting one all the same. Whilst, alas, that grubby business of rights got in the way of poor Mort, the film the pair have produced instead puts Disney on much safer ground.
Continue reading Moana | Review