★★
Hadi Hajaig defines his style as ‘genre with something else’. In the case of Blue Iguana, that something else is immaturity, sexism and a shed load of unconvincing fake blood. This belongs in that avenue of cinema that considers a splutter of ‘you repulsive testicle’ at the end of a sentence enough to make a joke.
This October, we’re celebrating some of the best horror films ever made. Look out for a new classic review daily across the month on The Film Blog, as well as more special treats along the way!
For day four, we look at Clive Barker’s Hellraiser. The future of horror?
#31DaysOfHorror Continue reading Hellraiser | Review
★★★★
A character as complex, perhaps even contrived, as Joan Castleman must inspire discussion and disagreement. One thing all should agree is that, in Björn Runge’s big screen adaptation of The Wife, she has been brought to breathtaking life by a career-best Glenn Close. Of course, it helps that the tale is compelling and the director assured but there’s no denying that this is an acting masterclass.
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