All posts by thefilm.blog

A Dog’s Purpose | Review

★★

If you’re among the masses who remain totally convinced that 20th Century Fox missed a trick by not recruiting Werner Herzog to direct Marley and Me back in 2008, Lasse Hallström’s latest, A Dog’s Purpose (aka Nietzsche and Me), is probably the closest thing you’re ever likely to get to consolation.

This may look like cute, canine fun for all the family, but don’t be fooled – that’s what it wants you to think – the reality is a bleak, so-called adventure in which the film’s ‘Marley’ is euthanised within the first five minutes, before being promptly reborn as a Golden Retriever called Bailey, whose later death leads to a further two incarnations. Also tackled here are: the Cuban Missile Crises, domestic abuse, depression and animal neglect; not forgetting, of course, the philosophical question of ‘being’ that drives the plot.

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Rules Don’t Apply | Review

★★★★

When it comes to directing, Warren Beatty is no frequent flyer. By contrast, the muse of the Hollywood legend’s first feature since 1998’s Bulworth, Rules Don’t Apply, is none other than the aero-obsessive, billionaire-businessman, investor and occasional filmmaker, Howard Hughes.

Though the film’s production didn’t kick-start until early 2014, it was Beatty’s 1973 encounter with Hughes, at a hotel in which the tycoon had booked six rooms and four bungalows for ‘the girls’, that initially inspired its forty-four year process from concept to release. Though Rules Don’t Apply is no swan-song masterpiece, within it are swathing tides of perfection which ooze pure pleasure as they flow in and leave debris in their moments of recession. A quite remarkable obsession as produced a generally remarkable film.

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Whisky Galore! | Review

★★★★

When a film spends over a decade meandering in ‘development hell’, with producers abandoning it and its purpose-built production company going into administration, there’s a certain degree of trepidation that inevitably comes with said film’s eventual release. In the case of Gillies MacKinnon’s Whisky Galore! (first touted in the early noughties), the sense of wariness is only heightened by the fact that this particular long-awaited feature is a remake of a perennial Ealing comedy classic, of the sort that really don’t need remaking. Well, naysayers begone, MacKinnon’s adaption – inspired by the 1949 film from Alexander Mackendrick, the Compton Mackenzie book that inspired it, and the true story that kickstarted the chain alike – is a joy to behold.

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