A dream cast is only one microcosmic gene in the biology that makes Netflix’s new offering, The Meyerowitz Stories (New and Selected), a joy to behold. Frances Ha director Noah Baumbach’s pottering dramedy is an exquisite and densely scripted minefield of humour and poignancy that, whilst never exactly being relatable, feels beautifully true to life.
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You could never accuse Martin Scorsese of lacking in diversity when it comes to his body of work. Silence, Scorsese’s latest to hit the screens, follows a fowl-mouthed Wolf of Wall Street which was itself preceded by the charming (and, unusually, child-friendly) Hugo. In a way, however, Silence predates both having been first conceived back in the nineties – not long after Scorsese concluded work on his Last Temptation of Christ, a film of kindred spirit to its later successor. Silence battled much in its pilgrimage to production – appropriately surviving its own ‘hell’, albeit a development one – and must be termed another passion project of willpower for Scorsese. It’s not hard to see why. Adapted from the book of the same name by Shūsaku Endō, Silence tackles themes potent amid Scorsese’s oeuvre. Guilt, faith, Catholicism…all present and correct. I have niggles but wouldn’t hesitate to call the effort worth it.
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