★★★
‘Choose kind’ might sound like the awkward cousin of everyone’s favourite Trainspotting quote but it is, in fact, the fundamental precept of R. J. Palacio’s bestselling book – and now Stephen Chbosky’s film adaptation – Wonder. Cinema’s answer to positive-affirmation woodblocks (‘You can’t blend in when you were born to stand out’), the new film might not live up to the promise of its name and premise but no one could ever deny that its heart is in absolutely the right place.
★★★
Those under the impression that the meta hip-horror genre had crawled back into the grave with Scream 4 might find themselves experiencing déjà vu on watching Christopher B. Landon’s Happy Death Day. Mind, they won’t be alone in the feeling. If you’ve ever watched: Groundhog Day, Mean Girls, Halloween, Scooby-Doo, Clue, American Pie, A Nightmare on Elm Street, or, indeed, Screams 1 to 4, this one’ll resurrect familiarity. As a chirpy take on the slasher genre – more playful than the Wes Craven send-ups – there’s a lot of fun to be had here but a feature of slightly less eclectic genre pickings would have been welcome.
★★★★
How delightful it is to witness the screen reunion of Julie Walters and Jamie Bell twenty-seven years on from Billy Elliot. He’s no longer a scrawny adolescent ballet lad (though the boyish looks are still there), she’s ditched the stockings, and they’ve both decamped to Merseyside for Paul McGuigan’s funny, affectionate and heartbreaking tale of the fascinating, true story, relationship of a former fifties film star – a dazzling Annette Bening – and the boy next door. Film Stars Don’t Die in Liverpool, but they do sparkle.
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