Those unfamiliar with the work of Greek auteur Yorgos Lanthimos are in for a rude awakening with his latest masterful foray into the weird and wonderful realms of surreality. Unlike Lanthimos’ last dazzler, The Lobster, the boundaries of The Killing of a Sacred Deer are existent in a world that is inescapably our own and proves all the more disturbing for it. Consider this fair warning.
For his latest snippet of understudied America, Sean Baker has switched coasts; he’s travelled from the orange sunsets of Los Angeles in Tangerine the Orange County for The Florida Project. He’s also gone from filming on an iPhone to production in 35mm, with a budget twenty times bigger. A technological leap this might be, The Florida Project remains a treasure by virtue of its simplicity and, vibrantly cinematic, authenticity.
Claiming the honour of being the best Thor film to date isn’t exactly high praise but, in the case of Thor:Ragnarok, it does at least herald the incoming of a pleasingly fresher take on the Norse god’s super-sub-franchise. With the surprisingly tangible vision of Hunt of Wilderpeople’s Taika Waititi, part-three Thor makes for a fun addition to Marvel’s tiresomely sprawling universe and blessed relief for Chris Hemsworth’s erstwhile little used funny bones.