Just as a critic is ready to stop preceding praise for a Lego Movie with the adverb ‘surprisingly’, the franchise delivers a dud. The Lego Ninjago Movie is every bit as commercially dominated as you were sure that The Lego Movie was going to be but wasn’t. Yes, for fans of its two surprisingly great predecessors, this latest $70m advert is every bit like stepping barefoot on a rogue brick. Not quite a total shambles, it may already be time to call it a day on Lego cinema.
The list of things that Battle of the Sexes isn’t really about is one longer than an Isner/Mahut game. For one, it’s not really about tennis. It’s also, in a funny way, not really about the battle or even the sexes. From directing duo Valerie Faris and Jonathan Dayton, here is a film about lost souls on the margins of society and how they deal with the rough road that life has thrown their way. Fundamentally, this is a film about equality for all sectors of society and a reminder of just how far from over the struggle really is.
By the time the opening titles of Loving Vincent come to a close, and the film itself begins, somewhere in the region of 1500 hand painted oil canvases, produced by professional artists and animators over the equivalent of perhaps 15-20 months will have glanced and glimmered across the screen. The result is, simply put, astonishing.