Children’s cinema has it in it to be a perplexingly surreal place. You can keep your Salvador Dali’s and your David Lynch’s, they have nothing on the elaborate and deeply weird concepts which establish the world of The Boss Baby.
Based on Marla Frazee’s likewise titled picture book, the biologically unsound idea here is that human babies descend on the world from a Heaven-via-hegemonopia business in the sky called Baby Corp. From their (…birth? …construction?) initial formation, the infants are divided between those destined to join families and those who will enter employment within the company itself. With adult minds in minute bodies, the job of those designated to the latter category is to preserve human devotion to babies around the world. However, when the balance of love begins to shift unfavourably from the newborns towards puppies, soon to be manufactured to remain so forever, that the Boss Baby (voiced by 30 Rock’s Alec Baldwin) is sent to set the record straight. He does this by joining the family of Tim Templeton (Miles Christoper Bakshi, with Lisa Kudrow and Jimmy Kimmel lending their talents to the roles of his parents), a child absorbed in his own imagination and the idyll of being an only child.