Tis award season again. A time for those in the film industry to acknowledge the work of dedicated members of cinema, allowing many of them the chance to one day look back at their nominations or award wins as their greatest achievements. But I ask myself, is that what award season is about? In recent years I have found award season to be less about acknowledging good films, or opening doors to what eventually become greatly overlooked films, and more about the giant popularity contest that is Hollywood.
There have been so many cinematic depictions of war-weary London, May 1940, that one might be forgiven for momentarily believing that they were actually there in the flesh rather than the stalls. Few of these, however, have come as close to conveying the contemporary emotional turmoil as Joe Wright’s Darkest Hour. At the beating heart is Gary Oldmanand an all-time great performance.