Tag Archives: Features

Gifted | Review

★★★

On paper, the plot of Marc Webb’s Gifted reads as being somewhat saccharine, clichéd and kind of generic. It’s the story of a bachelor, Frank (Chris Evans, sans lycra for once), bringing up the precociously ‘gifted’ Mary (Mckenna Grace). She’s the daughter of his similarly progenic sister, whose life of pressured genius led to her suicide some six years earlier.

When Mary’s school teacher, Miss Stevenson (comic, Jenny Slate), discovers the girl’s intellectual brilliance and spreads the word, it is not long before her Grandmother (Lindsey Duncan) appears on the scene, demanding custody and promising a future of elite education leading to greatness. A court case ensues, with Frank fighting for the right to give Mary the right to the life he claims his sister wanted for her: ‘Just dumb her down into a decent human being’. Sounds rough, but he means well.

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Now That’s What I Call…Awesome! | The Ultimate Film Soundtrack

As Guardians of the Galaxy Vol. 2 hits the big screen, hitting the charts – in all likelihood – will be the selection of seventies and eighties nostalgia tunes that make up the film’s Awesome Mixtape Vol. 2 soundtrack album. Vol. 1‘s set list was a joy back in 2014 and with the newbie boasting ELO, Fleetwood Mac and Cat Stevens, once again James Gunn has assembled a crowd-pleasing musical delight.

I love a good soundtrack me. When music is deployed well in film it has the ability to transform a good scene into a great one, a classic even. Indeed, many ionic scenes and sequences pepper the lineage of film history due to their accompanying number; as such, I couldn’t help but wonder what the ultimate film soundtrack would be? The list I’ve assembled, a hand-picked collection of my favourite music usage in cinema, is by no means definitive and I welcome your comments and suggestions, but this is an album that I would very much like to own…

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The Hatton Garden Job | Review

There are a great number of cinematic obstacles that Ronnie Thompson’s The Hatton Garden Job utterly fails to navigate in the process of transforming 2015’s so-called ‘largest burglary in English legal history’ into a caper-y heist romp for the big screen. First and foremost is that common issue of how to stir in the audience a sense tension and intrigue within a story that’s outcome lingers so freshly in the memory. Furthermore, how does said film deal with the gaps for a news event in which the detail remains still shrouded in mystery? Finally, of course, there remains the problem of how to make twenty minutes of drilling remotely engaging.

The Hatton Garden Job answers as follows: you don’t; a daft and underdeveloped subplot, involving unconvincing, continental mobsters; and, again, you don’t. The result is an intrinsically tedious waste of time, talent and money. Miss. Miss. Miss. Drill. Drill. Drill.

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