ISIS, cancer, homelessness and Jews are all fair game for comedy in Jon Lucas and Scott Moore’s quick turn around sequel to last year’s reasonably successful Bad Moms. Essentially following the footsteps of many a generic sequel, the totally inessential A Bad Moms Christmas rehashes round one to derivative effect. Up with the ante, down with originality.
All of suspects have been rounded up. This is the ultimate whodunit and one of them did it. Yes, one of these A-listers switched the Moonlight and La La Land Oscar cards around back in February and good old Sir Ken’s here to get to the bottom of it. This is Murder on the Hollywood Express 2, the long awaited sequel to Sidney Lumet’s similarly star-studded part one back in 1974. Both are, of course, better known as Agatha Christie’s Murder on the Orient Express.
Those unfamiliar with the work of Greek auteur Yorgos Lanthimos are in for a rude awakening with his latest masterful foray into the weird and wonderful realms of surreality. Unlike Lanthimos’ last dazzler, The Lobster, the boundaries of The Killing of a Sacred Deer are existent in a world that is inescapably our own and proves all the more disturbing for it. Consider this fair warning.