Lynne Ramsay doesn’t do straightforward when it comes to adapting books to film. It’s why we will never see her take on ‘The Lovely Bones’, latterly hashed from Alice Sebold by Peter Jackson, and explains how You Were Never Really Here can so lyrically draw from the eponymous novella of Jonathan Ames without recourse to exposition or, often, dialogue. The result is sensory cinema that is as concerned with imparting to audiences an experience as it is telling a story.
Not ten months since Sebastián Lelio walked away from February’s Oscars with an Academy Award for Best Foreign Language, the Chilean-Argentine director returns to UK screens with another tremendous feature, this one his English language debut. Thought provoking but no less thoroughly cinematic, Disobedience continues A Fantastic Woman’s explorations of sexuality and normative entrapment, whilst adding concerns of religious liberty and expectation. A sublime trio of leading performances make for an elegant cherry on the cake.