A little over fifty years ago, Bonnie and Clyde took on Old Hollywood and won. Arthur Penn’s fizzing, sexy crime biopic made stars of Warren Beatty and Faye Dunaway, hailed a new age for cinema and effectively ended the career of stuffy film critic Bosley Crowther. It’s been a long time coming but the establishment finally have a dull, self righteous response. Occasionally saved by strong leading turns by Kevin Costner and Woody Harrelson, The Highwaymen is the antithesis of Penn’s groundbreaker, taking great pains to remind youthful viewers that Bonnie Parker and Clyde Barrow were not nice people. At all. This is counter-counterculture in the extreme.