Peter Parker is a geek. He’s a bit lame too; a BIG fan of the Avengers and a bit of a doofus. A whizz in class, Peter’s hopeless with girls, kind of unreliable and a tad goofy. To his favour, he just happens also to be ripped, hyperactively acrobatic, armed with spiderweb wrist shooters and, in the hands of a youthful and effervescent Tom Holland, boy is he endearing.
Continue reading Spider-Man: Homecoming | Review
In many ways, Guardians of the Galaxy Vol. 2 feels like the superhero film that its director, James Gunn, always wanted to make. Back in 2014, the first in this soon-to-be-trilogy was widely regarded as a bit of a risk for Marvel, its titular protagonists being a lesser known team of heroes than the Avengers. It did, however – aiming squarely for a joie-de-vive tone and a whole galaxy of mainstream fun – prove to be a rip roaring success. Such features are largely carried over into Vol. 2 (does this mean Guardians of the Galaxy is retrospectively Vol.1 now?), yet, with a soundtrack drawn more deeply from the nostalgia catalogue than the recognisable hits that peppered the former and a focus on character development over heightened stakes, Gunn’s is a more prominent and untethered directorial hand this time around.
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The X-Men franchise is like a box of melted chocolates, you never know what mutation you’re going to get. It is indeed a series that’s provided some serious ups and downs. For every popping candy/caramel barrel combination (Days of Future Past – deliriously good) they’ve pulled out a chocolate blob that’s lost its raisin (Apocalypse – you know, fine but it’s kind of missing the point). Therefore, it’s with an air of caution that one approaches Logan, Hugh Jackman’s last stand as the Wolverine after an impressive seventeen years. Jackman’s been an ever-solid presence since his first appearance in Bryan Singer’s X-Men, but up to now his standalone spin-offs have, frankly, been a bit of let down. Thankfully, Logan finally hits the mark. X marks the spot, if you will…
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